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The Verdict on V/H/S

1/31/2013

2 Comments

 
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V/H/S is an anthology of found footage movies with multiple directors (Adam Wingard, Ti West, David Bruckner, Glenn McQuaid, Radio Silence and Joe Swanberg.) The trailer boasts that it’s the “Official Selection” of 12 film festivals including Sundance and SXSW. MSNBC said it was “So terrifying it made people sick”.

When a group of criminals are sent to break into a house to retrieve a tape they know little about, they find a cache of bizarre found footage. When the house’s sole occupant is found dead in front of stack of T.Vs emitting eerie white noise, the guys take to watching the VHS tapes. What kind of horrible things have been recorded? Are they really as alone in the house as they think? 
… If it were a hamburger, the short found footage flicks would make up 5 patties - two with some taste, but all together rotting - and nestled  by crusted buns I couldn’t care any less about. While that’s being colorful, there really is few redeeming qualities and for that reason V/H/S gets a 4.5/10.

First the buns (The segments that tie it all together): Finding a stockpile of disturbing VHS movies is a good idea. Having the finders watch those movies in a creepy house with a dead man in it is a good idea. But having the finders be criminals who assault a young woman within the first 2 mins of the movie is a terrible idea. Next, they vandalize someone’s place. By the time they reach the house, the place has lost all its creepiness because the viewer’s rooting for the home to hurry up and kill them already. But first we have to watch the found footage.

The first Patty(“Amateur Night” Segment): Three “bros” go to the bar to pick up women and end up with squirrely looking lady who too easily makes known her affection for the guy with the camera glasses. All sorts of red flags go off and for good reason… It isn’t creepy. Not even scary. Interesting, maybe, as a part of a T.V. show or stand alone urban legend of sorts. It isn’t enough of a hook to live up to “So terrifying it made people sick”. By the end, you’re 30 mins in to the movie.

The Second Patty(“Second Honeymoon” Segment): Is really the downfall. With unlikeable core characters and an OK first entry, this second one is really off base. Here, a couple is vacationing when they notice a girl bumming a ride in the middle of the night at the motel they are staying at. They think to call the cops because of the disruption but don’t. Turns out that girlie can somehow get into their room at night while they’re sleeping though… SPOILER… it’s kind of a snuff film… and the guy's girlfriend was in on it the whole time (Which makes void the little amount of scary it had going for it)! While the rest of the movie anthology has a supernatural feel, this one’s completely different.
The Third Patty (“Tuesday the 17th” Segment): If you haven’t turned it off by now, there are some redeeming bits at the 55 min mark. A group of friends go on an outing in the woods where murders took place in years past. One friend has other motives than just a good time out. The storyline and characters suffer from the time constraints of the segment but make cool use of old camera effects. Like having dead bodies pop in and out of the screen as though only the camera sees them… the murderer appears as a blur in that way as well.

The Fourth Patty(“The Sick Thing That Happened to Emily When She Was Younger” Segment): Begins okay with a woman connecting with an old friend and love interest via webcam. She thinks her place is haunted and connects with him when the ghosts are at play during the night. But there’s more to the situation than a simple haunting. The love interest himself is implicated somehow. The pay out in this one isn’t great and for its flavor is a lot like the first patty: just Ok .

The Fifth Patty(“10/31/98”): at 1 hr 28 mins in, the other redeeming section pops up, by then, too little too late. A group of guys go to a Halloween party to find the house empty. They scour the house in search of the party, mistaking supernatural forces at work for an elaborate gag – that is until they stumble upon some sort of cult event upstairs. The house really comes alive thereafter.  While predictable at parts and could well be faulted for overly flashy CG, it still pulls off a decent scare factor. Is easily the best section of the movie.

If you gotta watch it, the 55min and 1hr 28 min markers are the place to be, otherwise, you’re not missing much if you missed watching V/H/S in its entirety.

- Josh

2 Comments
C L Raven
1/30/2013 10:30:22 pm

we fully agree with you on this - the last one was by far the best, mainly because we actually liked the characters and cared about them. They were nice guys. The guys at the beginning were total arseholes and we couldn't wait for them to die horrifically. The honeymooning couple were the most boring couple to grave TV screens. We were really looking forwards to this film as it sounded quirky and different but it was a big disappointment. Directors seem to think a bunch of guys filming themselves being arseholes is entertaining. It's not.

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The Dark Opera
1/31/2013 01:31:56 am

Character is so important eh. You're right about the guys of the fifth film offering more of a connection. I was looking forward to this movie too when it first came on my radar. It's unfortunate that it turned out this way. There was little done to add dimension to those criminals up front, yet the way the movie ended, I can't help but feel like the director wanted me to feel tense about the last guy getting killed off. I couldn't get into it. I'm not a fan at all of people acting like assholes and thinking it's entertaining either.

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